by The All Seeing Hand

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  • Full Digital Discography

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  • 12" black vinyl LP in gatefold sleeve
    Record/Vinyl + Digital Album

    See the artwork at the correct size on the amazing gatefold cover.

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  • Shiny CD
    Compact Disc (CD) + Digital Album

    It's like vinyl but smaller and doesn't work on a turntable but a special machine called a CD player. DVD players can play them too. And Xbox. I know, amazing right! Doesn't fit in a tape player tho.

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Mechatronics is the second album by The All Seeing Hand. It will be available on vinyl and CD from October 1st through Muzai in New Zealand and Tenzenmen in Australia. While the bands’ first album documented the band's original incarnation as a turntable and drum duo Mechatronics presents the band in its new, three headed form!

The first album was absolute sonic freedom and although improvisation allowed them to reach aural destinations impossible to reach conventionally it meant that often the turntables and drums existed in totally different universes. Fortuitously, there were parts where the band would fall into perfect synchronization and these moments gave glimpses of a way forward.

On Mechatronics the drums and turntables are in-sync, interlocking, moving, and sounding, like huge cogs in a mechanical production line. Where once any human voice would be scratched samples from ethnic folk records, there is now a real living throat; singing! Rather than just contributing a looped texture the voice now tells an entire story and its rich-tone, gritty screams and percussive yelps drag the drum and turntable rhythm section up to the heavens.

Although all the pieces on Mechatronics stem from this tight palette of overtone singing, turntables and drums the subject matter and images projected into the mind are diverse. From sprawling mechanised assembly lines (Mechatronics), robotic nano-surgery (Surgery) and riot control (Grab & Smash) to shamanistic séances (Cadentia) and hectic theme-music for extraterrestrial road tripping (Maximum Capacity).


released October 1, 2013

The album was recorded at Scumbag College, a beaten up but much loved DIY studio, lurking under Wellington Airport. The album features contributions from Deane Hunter on guitar and previous live collaborators St Cosmos and Samin Son on vocals.

The album artwork is a fantastically detailed masterpiece from the twisted mind of Wellington prodigy Daily Secretion (a.k.a Hannah Salmon). In perfect visual analogy to the music, it combines the mechanical, the biological and the cosmic into a work of terrifying beauty.


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